WACO REVELATIONS 6 (the best important documentary you will anytime watch)

www.federaljack.com THE DOCUMENTARY THAT REOPENED THE INVESTIGATION AND SHOWS THAT THE MILITARY INTENTIONALLY BLEW UP THOSE WOMEN AND CHILDREN THAT EVIDENCE WAS SUPPRESSED AND EVEN TORN OUT TO HIDE THE FACT THAT EVERY TIME THE DAVIDIANS TRIED TO COME OUT THEY WERE MOWED DOWN ...EVEN AFTER THE FIRE WAS STARTED 22 BODIES PILED UP JUST INSIDE THE HOLE IN THE DINING ROOM AND VIDEO OF THE AGENTS FIRING.....

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Documentary on Yuri Norstein from Magia Russica : 2

Yuriy Norshteyn was born in the village of Andreyevka, Penza Oblast, during his parents' World War II evacuation. He grew up in the Maryina Roshcha suburb of Moscow. After studying at an art school, Norshteyn initially found work at a furniture factory. Then he finished a two-year animation course and found employment at studio Soyuzmultfilm in 1961. The first film that he participated in as an animator was Who Said "Meow"? (1962). After working as an animation artist in some fifty films, Norshteyn got the chance to direct his own. In 1968 he debuted with 25th October, the First Day, sharing directorial credit with Arkadiy Tyurin. The film used the artwork of 1920s-era Soviet artists Altman and Petrov-Vodkin. The next film in which he had a major role was The Battle of Kerzhenets (1971), a co-production with Russian animation director Ivan Ivanov-Vano under whose direction Norshteyn had earlier worked on 1969's Times of the Year. Throughout the 1970s Norshteyn continued to work as an animator in many films (a more complete list can be found at IMDB), and also directed several. As the decade progressed his animation style became ever more sophisticated, looking less like flat cut-outs and more like smoothly-moving paintings or sophisticated pencil sketches. Norshteyn uses a special technique in his animation, involving multiple glass planes to give his animation a three-dimensional look. The camera is placed at the top looking down on a series of glass planes about a meter ...

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